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Krug

NV Krug, Rose 1.5L [Pre Editions]

France Chardonnay Pinot Meunier Pinot Noir Champagne 1.5L

Wine Advocate

92

Vinous

94

Burghound

94

CellarTracker

93
/
NV Krug, Rose 1.5L [Pre Editions]
Krug

NV Krug, Rose 1.5L [Pre Editions]

France Chardonnay Pinot Meunier Pinot Noir Champagne 1.5L

Wine Advocate

92

Vinous

94

Burghound

94

CellarTracker

93
/
0 In Stock

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With history dating back to 1843, Krug has surpassed every one of its cohorts from the era where negociants and the "Grande Marques" ruled the day. In today's world of the growers whose grapes had made the backbone of the most famous Champagnes now bottling their own, Krug has managed to create cuvees of individuality while maintaining a flagship - the Grande Cuvee - wine that is immediately recognizable, singular and superb.

Krug

After his early days at Jacquesson, the ever-enterprising Joseph Krug took his curiosity into his own project with the aim to craft the most complex wines even during poor vintage conditions. What eventually came from this exemplary vision was a large library of reserve wines, which helped to heighten complexity in some cases, and provide balance and consistency in others. Only the best grapes were preserved annually, and if there was quality and quantity enough to produce a vintage wine, that was done; still, some of the finest grapes were preserved to hold in case of a future poor vintage. This became a hallmark of the house, that still today can boast what may be the most impressive collection of wines from their numerous holdings from multiple vintages.

Born from this philosophy was the Grande Cuvee; though it went by other names early on (such as "Prestige Cuvee"), the idea remained: to release a consistently excellent cuvee with a house style. This style is one that has remained as memorable and desirable, while keeping with the trends. Truthfully, Krug has always harvested at peak ripeness while still finding the balance of acidity as it aids greatly the ability for the wine to age. They will talk about percentages of each varietal in their wines, but in truth it is more of an art than a mathematic equation, to create the Grande Cuvee.

In 1973, the opportunity was presented to Krug to purchase the Clos du Mesnil, which was an extraordinary parcel of Chardonnay that now creates one of the finest single-vintage Champagnes. This was first released by Krug in 1979. 1976 brought the Krug Rose, and in 1995 the Clos du Ambonnay joined the line-up of stunning wines, alongside the Brut Vintage cuvee which is released only in vintages that Krug feels are possessing of a unique character. Case in point would be the 2003 and 2011 vintage releases - each of these vintages in Champagne were scorned by one critic or another, and often deservedly so. Yet the 2011 Krug has drawn rave reviews for its balance, even in some cases exceeding the praise of the 2008s.

In summation, Krug represents Champagne in some ways in the way of a Recoltant-Manipulant (grower) in their exactitude and willingness to experiment. They of course have a "house style" in the form of the Grande Cuvee, but the individualistic nature in their single-vintage cuvees that few, if any Grande Marque can lay claim to.

Meet the Producer

Krug

With history dating back to 1843, Krug has surpassed every one of its cohorts from the era where negociants and the "Grande Marques" ruled the day. In today's world of the growers whose grapes had made the backbone of the most famous Champagnes now bottling their own, Krug has managed to create cuvees of individuality while maintaining a flagship - the Grande Cuvee - wine that is immediately recognizable, singular and superb.

After his early days at Jacquesson, the ever-enterprising Joseph Krug took his curiosity into his own project with the aim to craft the most complex wines even during poor vintage conditions. What eventually came from this exemplary vision was a large library of reserve wines, which helped to heighten complexity in some cases, and provide balance and consistency in others. Only the best grapes were preserved annually, and if there was quality and quantity enough to produce a vintage wine, that was done; still, some of the finest grapes were preserved to hold in case of a future poor vintage. This became a hallmark of the house, that still today can boast what may be the most impressive collection of wines from their numerous holdings from multiple vintages.

Born from this philosophy was the Grande Cuvee; though it went by other names early on (such as "Prestige Cuvee"), the idea remained: to release a consistently excellent cuvee with a house style. This style is one that has remained as memorable and desirable, while keeping with the trends. Truthfully, Krug has always harvested at peak ripeness while still finding the balance of acidity as it aids greatly the ability for the wine to age. They will talk about percentages of each varietal in their wines, but in truth it is more of an art than a mathematic equation, to create the Grande Cuvee.

In 1973, the opportunity was presented to Krug to purchase the Clos du Mesnil, which was an extraordinary parcel of Chardonnay that now creates one of the finest single-vintage Champagnes. This was first released by Krug in 1979. 1976 brought the Krug Rose, and in 1995 the Clos du Ambonnay joined the line-up of stunning wines, alongside the Brut Vintage cuvee which is released only in vintages that Krug feels are possessing of a unique character. Case in point would be the 2003 and 2011 vintage releases - each of these vintages in Champagne were scorned by one critic or another, and often deservedly so. Yet the 2011 Krug has drawn rave reviews for its balance, even in some cases exceeding the praise of the 2008s.

In summation, Krug represents Champagne in some ways in the way of a Recoltant-Manipulant (grower) in their exactitude and willingness to experiment. They of course have a "house style" in the form of the Grande Cuvee, but the individualistic nature in their single-vintage cuvees that few, if any Grande Marque can lay claim to.

The Wine Advocate

Wine Advocate

92

Krug’s NV Brut Rose ID 212020 – disgorged in spring, 2012, and as always for this cuvee, featuring slightly fewer and younger components than the Grande Cuvee, and an addition of still red Pinot – makes a bright, juicy impression of red raspberry and red currant mingled with fresh lime and tingling with mouthwatering mineral salts. Firmer in feel than the Grande Cuvee and without that bottling’s remarkable juxtaposition of creaminess with brightness, nor indeed its complexity, this finishes with the invigoration of red berry seed-crunching; a piquant hint of orange rind; and fascination of alkaline, saline and chalky nuances. It might well prove interesting to follow for a few years, though I haven’t the experience to address this cuvee’s track record. Krug – part of the Louis-Vuitton-Moet-Hennessy luxury goods empire since 1999 – continues to release wines fully worthy of their house’s exalted reputation that reflect inter alia the effects of micro-vinification in barrel and an (in the best sense) laissez-faire and leisurely attitude toward elevage and bottle-aging. (Although – for what little this may be worth – count me among those who find the metalicized labels that now adorn their bottles glitzy, and as such slightly incongruous with their contents). Director Olivier Krug represents his family’s sixth generation, assisted by veteran cellarmaster Eric Lebel and oenologist Julie Cavil. Most Champagne lovers will realize that each bottle from Krug nowadays comes with an identification number enabling the consumer to research its approximate disgorgement date – and sometimes other details specific to the bottle in question – via the house’s web site; but in keeping with the convention established for my reports, I have only referenced this number for the purpose of disambiguating non-vintage cuvees.

Vinous

Vinous

94

(roughly 50% Pinot Noir, 30% Chardonnay and 20% Pinot Meunier; I.D. 213027; LLSPPK): Pale orange. A highly perfumed bouquet displays scents of blood orange, redcurrant and gingerbread, plus spicy oak and floral nuances. Juicy, dense and spicy on the palate, with a smoky mineral quality lifting and sharpening the sappy citrus fruit and red berry flavors.  Shows noteworthy intensity on the finish, which leaves notes of orange zest, candied rose and toasted notes behind.  This Champagne's balance of power and vivacity is pretty impressive.

What the Critics are Saying

The Wine Advocate

Wine Advocate

92

Krug’s NV Brut Rose ID 212020 – disgorged in spring, 2012, and as always for this cuvee, featuring slightly fewer and younger components than the Grande Cuvee, and an addition of still red Pinot – makes a bright, juicy impression of red raspberry and red currant mingled with fresh lime and tingling with mouthwatering mineral salts. Firmer in feel than the Grande Cuvee and without that bottling’s remarkable juxtaposition of creaminess with brightness, nor indeed its complexity, this finishes with the invigoration of red berry seed-crunching; a piquant hint of orange rind; and fascination of alkaline, saline and chalky nuances. It might well prove interesting to follow for a few years, though I haven’t the experience to address this cuvee’s track record. Krug – part of the Louis-Vuitton-Moet-Hennessy luxury goods empire since 1999 – continues to release wines fully worthy of their house’s exalted reputation that reflect inter alia the effects of micro-vinification in barrel and an (in the best sense) laissez-faire and leisurely attitude toward elevage and bottle-aging. (Although – for what little this may be worth – count me among those who find the metalicized labels that now adorn their bottles glitzy, and as such slightly incongruous with their contents). Director Olivier Krug represents his family’s sixth generation, assisted by veteran cellarmaster Eric Lebel and oenologist Julie Cavil. Most Champagne lovers will realize that each bottle from Krug nowadays comes with an identification number enabling the consumer to research its approximate disgorgement date – and sometimes other details specific to the bottle in question – via the house’s web site; but in keeping with the convention established for my reports, I have only referenced this number for the purpose of disambiguating non-vintage cuvees.

Vinous

Vinous

94

(roughly 50% Pinot Noir, 30% Chardonnay and 20% Pinot Meunier; I.D. 213027; LLSPPK): Pale orange. A highly perfumed bouquet displays scents of blood orange, redcurrant and gingerbread, plus spicy oak and floral nuances. Juicy, dense and spicy on the palate, with a smoky mineral quality lifting and sharpening the sappy citrus fruit and red berry flavors.  Shows noteworthy intensity on the finish, which leaves notes of orange zest, candied rose and toasted notes behind.  This Champagne's balance of power and vivacity is pretty impressive.